Directors statement Shark Island Production. H\j0E Given the content, it is also important for teachers to communicate with parents and guardians of Aboriginal and Torres Strait Islander students before playing the film and/or engaging with the teaching and learning resources. Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. We will not achieve this while racism and discrimination exists in our game We will stand strongly with all in the football community who experience racism or discrimination. Reconciliation in Education is a program for Reconciliation Australia that supports all schools and early learning services in Australia to develop environments that foster a higher level of knowledge and pride in Aboriginal and Torres Strait Islander histories, cultures and contributions. Tracy enjoys supporting the educational, social, emotional, and mental health needs of young people and their families. 2023 The Hollywood Reporter, LLC. This sets the scene for exploration of one of the films key messages: that words matter, and they ought to be used responsibly. Relevant parts of Years 9 & 10 achievement standards: By the end of Year 10, students analyse how social and cultural values and alternative points of view are portrayed in media artworks they make, interact with and distribute. We are unified on this, and never want to see the mistakes of the past repeated. Revelation Perth International Film Festival Inc, Distinctive storytelling for the big screen, Ambition, creativity, audience engagement, Quality, cultural value, innovation, diversity, Opportunities for First Nations storytellers, Insights into challenges facing the industry, International awards for Australian projects and people, Australian screenings at international festivals, International Pitching Events and Talent Labs, International Marketing Support: Festivals and awards, All Screen Australia production applications. In this lesson students will learn about archival documentary filmmaking conventions and apply their analytical skills to scenes from The Final Quarter. Specialist lessons will achieve the best results when THE FINAL QUARTER documentary is introduced as atopic across the curriculum. Through the Narragunnawali platform, schools and early learning services can develop a Reconciliation Action Plan (RAP), and teachers and educators can access professional learning and curriculum resources to support the implementation of reconciliation initiatives. Honing in on Goodes' last three seasons as an AFL player up until his . Angles. 0000010015 00000 n
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, ]p&V0]~l[8mNg[YUyg)&t28~rd]3fW'd:e (2019), June 17). [13][14][15][16], Goodes retired from the AFL in September 2015. On this Wikipedia the language links are at the top of the page across from the article title. As Darling astutely realised, the footage says it all. [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. 0000007162 00000 n
Why might companies like Shark Island Productions be beneficial for the Australian media industry and Australian audiences in general? The fallout inevitably led to a backlash against the fallout, in a manner familiar to anybody whos cast a cursory glance at online comments sections, in which over-sensitivity is positioned as an existential threat. This requires planning among multiple teachers and across specialist streams. Just whose existence is being threatened, and by whom, is a subject canvassed by a procession of pundits once Goodes starts getting booed by fans of every stripe. [12] He returned the following week and played for the remainder of the season after an outpouring of support from fans, actors, politicians, celebrities and teammates, including two spontaneous standing ovations. Goodes himself recedes as the film goes on and the media barrage continues. 0000013810 00000 n
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'The Final Quarter': Film Review. One thing the film used was Mise en scene. in The Final Quarter. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. This is the time period captured in director Ian Darlings exhilarating and confronting documentary, which premieres at the Sydney film festival on 7 June and is intended to spark a reassessment of the national conversation at the centre of which Goodes found himself. Goodes, an Aboriginal Australian, was drafted by the Sydney Swans in the 1997 AFL Draft and went on to have a successful career with the Swans, featuring in their 2005 and 2012 premiership teams and being awarded a number of accolades for his performances including the AFL Rising Star award in 1999,[1] the Brownlow Medal (2003 and 2006),[2] the Bob Skilton Medal (2003, 2006 and 2011),[3] and All Australian selection (2003, 2006, 2009 and 2011). Level of teacher scaffolding: Medium introduce new concepts and facilitate discussions and activities. 0000019988 00000 n
Within the first three months of the educational release, the film: had been seen within ~25% of secondary schools in Australia and became the third-most watched content on ClickView in 2019, including 1,073 institutions streaming the film and a total 22,294 views. Note: This film may not be suitable for viewing by all young people. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community and Country. 0 Qq
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Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. Explores how to respectfully listen to and engage with Aboriginal and Torres Strait Islander peoples, histories and cultures. Save and share your favourite picks and make plans to go out with friends. "Callum Mills wins 2016 AFL Rising Star award", "Ejected teenage fan didn't know 'ape' was racist", "Adam Goodes' leave from AFL this weekend should fuel shame: Bartlett", "Man up? Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. [8][9][10], During a match against Carlton in May 2015, again during the Indigenous Round, Goodes celebrated a goal by performing an Aboriginal war dance, in which he mimed throwing a spear in the direction of the Carlton cheer squad. The Final Quarter takes a confronting look at the controversies that marred the Sydney star's exit from the game and is an opportunity to reconsider what happened on and off the football field. 0000001825 00000 n
Narragunnawali (pronounced narra-gunna-wally) is a word from the language of the Ngunnawal people, Traditional Owners of the land on which Reconciliation Australias Canberra office is located, meaning alive, wellbeing, coming together and peace. Every film uses different techniques to create meaning throughout the film. 0000067425 00000 n
It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. Director: Ian Darling It was produced by Shark Island If it was hard to mount that fingers-in-the-ears argument back then, it seems almost impossible now though the peanut gallery of outspoken conservative commentators, who haunt this film like ranting apparitions (among them Andrew Bolt and Alan Jones), are hardly likely to show contrition any time soon. Camera angles refer to the tilt of the camera in relation to the scene and the characters. Students understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. The statement also said that the football community "pledged to continue to fight all forms of racism and discrimination, on and off the field". 1. Retrieved fromhttps://thefinalquarterfilm.com.au/about/. Oz musicians Paul Kelly and Dan Sultan provide an original ballad for the films bleak coda, which brings the saga very much into the present tense. 0000062114 00000 n
Background [ edit] See a snapshot of media articles here: Additional assets have had high engagement including 944 Screening Guide downloads. Premiering at the Sydney Film Festival, what a picture The Final Quarter paints; one that as the archival footage emphasises all played out in the public eye under the sizeable gaze of both the country's football media and the popular code's supporters. Third party web links are provided for your convenience only. Tracy has a particular interest in emotional intelligence and supporting young people to develop skills and strategies that can assist them in being their best selves. Keywords: film, documentary, analysis, analyse, media, The Final Quarter, archival, footage, conventions, Aboriginal and Torres Strait Islander, AFL, footy, football, perspective, point of view, techniques, editing. Quick summary: Retired AFL star Adam Goodes is known to many for his resilient journey in the face of detrimental treatment by AFL spectators and the media beginning in 2013. By calling out racism, and by refusing to be put inside a box where the powers that be might have liked him to remain, Goodes unquestionably made life harder for himself. Critic Reviews for The Final Quarter. Project-specific support provided by Screen Australia's development programs since the agency's inception in July 2008. You must be logged in to view this form. consider the various ways mood and meaning are created in archival documentaries. His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. 0000062218 00000 n
Editor: Sally Fryer on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. [24] It had its World Premiere at the 2019 Sydney Film Festival. identify different documentary making techniques. Explores how societal values are shaped and investigates the concepts of equity, equality and inclusion as they relate to Aboriginal and Torres Strait Islander peoples. 0000005252 00000 n
He emerges before the fade-out as a thoughtful man, and not remotely strident, but one powerless to control snowballing events. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. 0000003937 00000 n
Is this your listing? Throughout 2019: worked through social media company 33 Creative to engage with an online audience, maximise positive engagement and manage racist or bullying interaction. | Michael Safi", "Watching Goodes film was like a punch to the face", "Acclaimed Adam Goodes Doco 'The Final Quarter' Will Hit TV Screens Next Month", "Adam Goodes: The Final Quarter film set to air on Channel 10 in July", "The Final Quarter review exhilarating Adam Goodes documentary pulses with urgency", "The exhilarating Adam Goodes documentary The Final Quarter is a must-see", "goodes-documentary-a-film-for-all-including-those-who-booed-him-20190530-p51ssm.html", "syd-film-fest-review-the-final-quarter-records-shameful-treatment-of-adam-goodes-258190", "AFL apologises unreservedly for failures over racism faced by Adam Goodes", "Club statement: 'The Final Quarter' documentary", https://en.wikipedia.org/w/index.php?title=The_Final_Quarter&oldid=1102231855, Documentary films about Australian rules football, All Wikipedia articles written in Australian English, Short description is different from Wikidata, Rotten Tomatoes template using name parameter, Creative Commons Attribution-ShareAlike License 3.0, 2019 Best Reporting of an Issue in Sport (Winner), 2019 Best Documentary Feature, Asian Academy Creative Awards: Grand Final winner (World) and Regional Winner (Australia and New Zealand), 2019 Best Editing in a Documentary - Sally Fryer (Winner), 2019 Best Editing in a Documentary Feature - Sally Fryer (Winner) Australian Screen Editors Ellie Awards, 2019 Best Sound in a Documentary (Nominee) Australian Screen Sound Guild, This page was last edited on 4 August 2022, at 01:34. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. [32], The Go Foundation reported that it had received several messages from members of the public who had seen the documentary and wanted to express their remorse for having booed Goodes.[20]. H\]0+r9s1Mr`na>aVPxH9y^vFujf}:seVM[RY.tqxUs=,14ahz9pQjTM8F{u *M\o[6WuE?K2]Oj(tAIz"]3Cshm[SvYam bgYBv4P !f@sA[h5iiW 4$,I$apw9e:N\Y4||fEp1.3 gi.i4,,,9t:y.#;Gv(9Zt$i5DV90a$IY ~?'y?{}RG}xqLtcYUz~ 3l%
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subsequently exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to promote the forthcoming stage musicalKing Kong. 0000004654 00000 n
Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd. This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. Where to start: Watching the Film Years 5 to 12, Exposing Truth. Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. Director's Statement. Screen Australia is not responsible for and does not endorse any Third Party Sites' use, effect or content or any associated organisation, product or service on the third party site. At various points during this film I felt cold shivers, and left the experience shaken not by what The Final Quarter says about the sport of AFL, but what it suggests about this country. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). Director Ian Darling joins us to discuss the importance of telling the story and what we can all learn from it. Check out the trailer for The Final Quarter below: The Final Quarter will release in Australian cinemas later this year. Use the film to educate young people about racial vilification at a grassroots level and continue outreach to ensure The Final Quarter continues to have a long-term and lasting legacy. [27] Luke Buckmaster, writing for The Guardian, called it "confronting" and "inspiring",[29] while Blake Howard, writing for Flicks, gave it five stars and called it exhilarating and powerful. In April 2019, on the eve of the documentary's premiere, the AFL and all of its 18 clubs issued an unreserved apology for the sustained racism and events which drove Goodes out of the game. Goodes took indefinite leave from the game in August of the 2015 season. We want all Australians to feel they belong and that they have a stake in the game. The impact and outreach campaign is expected to significantly expand in 2020, with a DVD to be given to the principal of every high-school in Australia. 0000006599 00000 n
https://www.theguardian.com/film/2019/may/30/the-final-quarter-review-exhilarating-adam-goodes-documentary-pulses-with-urgency. Investigates our individual and collective responsibility toaddress racism in the community, workplace and school. Tracy Bentin is a Child and Adolescent Psychologist who has worked in the education sector since 1997. 0000003887 00000 n
The AFL Players Associations Indigenous Advisory Committee also issued a statement, and there was an outpouring of emotion from the Indigenous players who called for all to fight against racism. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. The Final Quarter Film Timings and Questions 01:00:00 - Warning and intro 01:01:14 - Sam Newman speaks to Adam via camera 01:01:57 - 'racist' definition 01:02:00 - Nathan Buckley and AFL 360 01:02:31 - Sam Newman on gay pride game Opportunity to pause and discuss important ideas and themes. Fire Up! Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of footballer Adam Goodes' playing career. An Aboriginal player, and number 37 for the Sydney Swans, Adam Goodes was singled out for verbal abuse, booing and jeering by spectators from a range of clubs during the last three yea. 0000001644 00000 n
This is what was heard. They said: Adam, who represents so much that is good and unique about our game, was subject to treatment that drove him from football. Those unfamiliar with Australian football are unlikely to become adherents after watchingThe Final Quarter, a documentary that weaves together archival footage to tell the story of Indigenous player Adam Goodes, whose outspokenness about racism led to a cavalcade of jeers and finally to his exit from the game. The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. Addressing the media the day after famously being called an ape by a 13-year-old girl in the stands, for instance, Goodes rightly criticises the teenagers behaviour while calling for compassion insisting that its not her fault, that kids are innocent and we need to support her. The Final Quarter - Making An Archival Documentary - Media Arts - Years 9 & 10 Considering Social Action Students are given opportunities to apply their learning in real world situations, in the classroom, school, home or the local community. There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. Students will explore how the editor and director created mood and message for the audience, and appreciate how archival documentary can powerfully communicate public messages of importance. The Australian Human Rights Commission is an independent statutory organisation, established by an act of Federal Parliament. Darlings approach differs in that his intention in many respects is more ambitious, and certainly more relevant to Australian society, than the more familiar price of fame and portrait of obsession style narratives. Music: Paul Charlier Shortly this will also incorporate project-specific market and festival support provided by Screen Australia since its inception in July 2008. Darling also makes the point that we can always learn from history whether that history is found in an ancient scroll inside a museum, or via television footage from the old, dark, distant days of 2015. But he also created a narrative, if not a reason for being, far more important than any act of sporting prowess. Cool Australia acknowledges the traditional custodians of the land on which we live, learn and work, and pays respect to their Elders past and present, and to all Aboriginal and Torres Strait Islander peoples. Our Watching the Film lessons are designed to support you in facilitating this process. Synopsis Request an update here. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. Make Concrete Playground yours with My Playground. Theyre booing you because youre acting like a jerk, he bellows, going on to ridicule the league for promoting diversity-related initiatives and declaring that, as a white heterosexual male, he is waiting for my day to come. Our Watching the Film lessons are designed to support you in facilitating this process. There are a huge number of techniques that are used in films to convey meaning. 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