South Africa Program at Smithsonian Folklife Festival, 1999. (1988) Brown University; M.A. (1976) Simmons College; M.A. (1981), Ph.D. (1995) University of Pennsylvania. Satellite photography of the museum on February 14, 2022, prior to the invasion, shows the museum roof and surrounding area covered by snow. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. The Smithsonian in Games and Other Formats, National Museum of African American History and Culture, National Air and Space Museum and Udvar-Hazy Center, Smithsonian American Art Museum and Renwick Gallery, Center for Folklife and Cultural Heritage, Smithsonian Environmental Research Center, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution Building, the Castle, Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage Website, Additional Historic Images of the Center for Folklife and Cultural Heritage from the Smithsonian Institution Archives, Sign up for email updates on our amazing collection. The inventory now includes more than 28,000 sites. These . Research Associate. B.A. Curator. Research specialties: Ethnographic and Indigenous archives, information ethics, language revitalization, indigenous knowledge systems, knowledge repatriation, Africa. B.A. (2007), Ph.D. (2015) New York University. [3] Instead of collecting and curating objects, both the Festival and the Folkways units at CFCH collect, research, and produce experiences. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. (2004) Barnard College, Columbia University; M.A. The Dalai Lama, 2000 Smithsonian Folklife Festival. The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . B.A. (1967) Harvard University; M.A. Rinzler had previously worked at the Newport Folk Festival, and brought with him both the know-how and connections needed to pull together a new DC folk festival. Stryelnikova needed passenger vans to carry teams of up to 16 conservators daily along with equipment and supplies around the country to service stored but still endangered collections. It now includes an extensive collection of traditional American music, children's music, and international music. Polish organizations lent tremendous logistical help. The Hague Convention of 1954 followed, outlawing the purposeful destruction and looting of cultural property, which is so integral to a nations and to a peoples identity. B.A. That enables the monitoring of bombings, missile strikes, artillery shelling and fires. Following the Bicentennial Festival, Morris went on to other positions in the Smithsonian complex. Painters Rolando Mayen and Paula Kaufman in the Office of Exhibits Central's Graphics Department created these authentic commercial signs for the music tent in the Borderlands' program at the 1993 Festival of American Folklife. The Ukrainian language, the countrys art and its historyincluding the Slavic-Christian state centered in Kyiv a thousand years ago, the 19th-century flowering of Ukrainian culture and nationalism, the post-World War I Ukrainian republic, the Ukrainian independence movement of the early 1990s and its reaffirming Orange Revolution in 2004 and the Euromaidan Revolution in 2013-2014all represent an undeniable Ukrainian identity that is centuries in the making. (1970) Williams College; M.A. In the practical implementation of cultural sustainability, CFCH also manages three different projects where the theoretical finding of this research can be put to test in the field. B.A. Their goal is to explore means and indicators for assessing the impacts of culture on sustainable development, to develop best practices for bringing culture into political and social policy, and to share their findings with individuals, communities and policymakers around the world. It also maintains the Ralph Rinzler Folklife Archives and Collections. (1979) Emory University; Ph.D. (1991) George Washington University. National Museum of American History Eliot Elisofon Photographic Archives, African Art. Currently there are three main research areas actively sponsored by CFCH. Despite this, in 2014 Putin pursued his territorial ambitions by supporting ethnic Russian separatists in the Donbas region and forcibly taking Ukraines Crimean Peninsula. Ripley, S. Dillon. Poshyvailo and fellow expert Vasyl Rozhko quickly formed the Heritage Emergency Response Initiative (HERI), an organized network of Ukrainian cultural workers, aiming to gather money and supplies, make deliveries, provide advice, and help secure and safeguard facilities and collections. Alberta at the Smithsonian Carriers of Culture: Living Native Basket Traditions Nuestra Msica: Latino Chicago Special Events (2006) 2005 Food Culture USA Forest Service, Culture, and Community Nuestra Msica: Music in Latino Culture (2005) Oman: Desert, Oasis, and Sea Special Events (2005) Research specialties: Intangible cultural heritage, Latin American music (specifically: USA, Mexico and Guatemala, Indigenous and migrant communities). Research specialties: English country dance in the U.S., Scottish traditional song and the Folk Revival, comparative British and Appalachian folksong traditions. This paper defines the field as folklore and uses that term throughout its paper:[4]. Research specialties: Sound archives, archives, traditional musicof the United States, Woody Guthrie, Lead Belly, record production, history of sound recordings. Advisory Council Member at Smithsonian Center for Folklife and Cultural Heritage [note 2] As such, Smithsonian Folkways has become an important collection to the musical community to access and research these recordings from all over the world. Rinzler worked at the center until his death in 1994. Contact:MotleyS@si.edu, NDiaye, Diana Baird, Cultural Specialist and Curator. (1964), Ph.D. (1973) University of Pennsylvania. (1972); Ph.D. (1989) George WashingtonUniversity. Working in collaboration with the Smithsonian initiative "Recovering Voices"., this interdisciplinary research program explores relationships between language revitalization, cultural heritage, and traditional cultural transmission. (1970), Ph.D. (1974) University of Chicago. The Smithsonian, in an effort to document cultural war crimes as defined by the 1954 Hague Convention, shares its findings with Ukrainian cultural colleagues, and with the U.S. Department of States Conflict Observatory. (1980), Ph.D. (1990) Indiana University. When we think about war, what comes to mind is that quest for power and territory, the violent use of destructive armaments and the horrific costs incurred in human lives lost and shattered. Native American Blanket Toss at Festival of American Folklife, 1974. Director of Special Projects. It produces more than a dozen new recordings annually, some from the archives, and others from contemporary documentation and recording projects. Research specialties: Occupational folklife, veterans of World War II, American film and mass media. The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. In addition to those named above, the author wishes to thank Hayden Bassett, Katharyn Hanson, Brian Daniels and members of the SCRI, CHML, HERI and NRRC teams who have engaged in this cultural heritage work. The center is composed of three distinct units. For more on the Smithsonian Cultural Rescue Initiative and its efforts in Ukraine, listen to the Smithsonians Sidedoor podcast and view the latest reports on cultural heritage damage in Ukraine. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. The recordings were bundled into the Smithsonian Folkways label. Svitlana Stryelnikova, director general of the National Research Restoration Center of Ukraine, and her staff of expert conservators at the headquarters in Kyiv and branch facilities in Kharkiv, Odesa and Lviv were charged with caring for Ukrainian national collections. Ukrainians were strong and united in their fight on the battlefield and on the home front to defend their freedom to be Ukrainian, she said, and she thanked the U.S. and allies for helping them in that worthy battle on behalf of all freedom-loving people the world over. UNESCO arranged online meetings bringing together Ukrainians with European and American counterparts to discuss needs, resources and responses. (1978) Arizona State University. Mexican Stitchery Demonstration at Festival of American Folklife, 1978. (2005) Occidental College; Ph.D. (2017) UCLA. Research specialties: Occupational folklife, veterans of World War II, American film and mass media. The Smithsonian's Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. As one of the "Grand Challenges"[14] of the Smithsonian, CFCH strives to be steward and ambassador of cultural connections. Rajiv Shah, president of the Rockefeller Foundationrecalling the 2010 success of the Smithsonians Haiti Cultural Recovery Project hed supported when head of U.S. Agency for International Developmentpledged major support. One of the early cultural casualties of the Russian invasion was the Ivankiv Historical and Local History Museum. (1977) Smith College; M.A. Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. Non-profit organizations based in Washington, D.C. Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, Morris, James R. Smithsonian Impresario: A Memoir by James Morris (2011). Together they reflect diverse aspects of the Black religious experience and testify to the role religion has played in the struggle for human dignity and social equality. To this day, the festival features performers, crafts people, and community groups from the United States and foreign countries. B.A. It follows international standards in collecting and storing digital evidence for potential legal proceedings and seeks confirmation of damage and destruction from detailed satellite imagery and on-the-ground reports. Visit the IIIF page to learn more. B.A. B.A. While drawing on periods of the czarist Russian Empire and the Soviet era to make his case, Putin denies crucial cultural realities. [note 4] Through these connections with external networks and strategic cultural partners, best practices and challenges emerge to inform the future of cultural heritage policy and practice at the Smithsonian. Lithuanian Blacksmith at Smithsonian Folklife Festival, 1998. The Center has an active website and features Folklife Magazine, a robust digital vehicle for publishing information about cultural traditions and contemporary issues aimed at a popular audience. This research group brings together thought leaders, both digitally and in person, to explore some of the critical issues facing our nation and the world. As such, it overlaps with topical arts programs brought to the National Mall each summer during the Smithsonian Folklife Festival. Where possible, theyve treated artworks and artifacts, and repaired damage. Find on the map and call to book a table. (1988) Brown University; M.A. Ph.D. (1979) University of California, Los Angeles. Spotlighting these questions also brings into sharp relief the shadow side of minority language communities, which are characteristically marked by poverty, isolation, segregation, travel restrictions, and censorship.[13]. At the July 3-14, 1974 Festival of American Folklife, Native Americans section, a woman participates in the blanket toss, a game in the World Eskimo Olympics. Womens leadership in music and social change is central to the American story. (2004 and 2012) University of Maryland. Mailing Address Center for Folklife and Cultural Heritage Smithsonian Institution P.O. A variety of research projects undertaken by the Center and its staff document cultural traditions and address issues of heritage policy and professional representation practices that result in books, chapters, journal articles and other products. Originally part of the Smithsonians Division of Performing Arts, a separate Office of Folklife Programs was created in 1980. (1993), A.B.D. Taquile Musicians from Peru at Festival of American Folklife, 1991. nmaahc.si.edu. To date, the label has won six Grammy Awards, one Latin Grammy, 10 Grammy Lifetime Achievement Awards and 30 Independent Music Awards. Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. Various alternatives failed, but thanks to contacts through the U.S. State Department, the Smithsonian enlisted Uber, which had been providing free transport for refugees fleeing Ukraine and even for relocating them in neighboring countries. Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. B.A. Telephone: 202.633.6440 Fax: 202.633.6474, Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024, Mailing Address Center for Folklife and Cultural Heritage Smithsonian Institution P.O. B.A. Contact:Cordovaa@si.edu, Deutsch, James I., Curator. Research specialties: Music history, library and information sciences, ethnomusicology, multicultural history of the banjo. Ambassador at Large, Smithsonian Institution. B.A. Music HerStory: Women and Music of Social Change During that project, the Smithsonian formally established SCRI under the direction of curator and former U.S. Army monuments woman Cori Wegener, leading to similar efforts in the ensuing years to respond to cultural crises around the worldfrom temple-destroying earthquakes in Nepal to museum bombings in Syria and Iraq. In 2010, the Initiative for Global Citizen Diplomacy honored the Festival with a Best Practice Award for International Cultural Engagement, and, in 2017, the American Alliance of Museums recognized the Festival with a Sustainability Excellence Award. Curator. As with all archives, the Folklife Archives is currently working to move its entire collection into digital format, thus enabling global access to the artifacts. (1978) Arizona State University. (2004) Barnard College, Columbia University; M.A. This page was last edited on 8 December 2021, at 08:10. He founded the Smithsonian Cultural Rescue Initiative. Contact:YoungerE@si.edu, Office of Academic Appointments and Internships, Smithsonian Opportunities for Research and Study (SORS) Intro. In concatenated form, it documents the shift from folklore to cultural heritage that has taken place in academics and in fieldwork within the last 15 years. Using satellite imagery, the labs team examined the cultural damage caused by another Haitian earthquake, Taliban attacks on cultural sites in Afghanistan and the treatment of cultural resources in areas contested by Armenian and Azerbaijani forces. The Chinese Poetry Left at Angel Island, the "Ellis Island of the West" Angel Island Immigration Station was built in 1910 in the San . (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. Research specialties: Cultural heritage studies, ethnomusicology, Asian studies, cultural policy, Indonesian performing arts, education, development studies, international relations. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk, and more, this exhibition covers the broad and impactful spectrum of Afrofuturism. (1978) Kenyon College; M.L.S. The impact of the Center is felt far beyond the National Mall. What precautions should be considered to avoid fire damage from shelling and water damage from extinguishing those fires? In 2021, Wegener, in partnership with the Virginia Museum of Natural History, established the Cultural Heritage Monitoring Lab to examine the status of cultural sites in crisis zones based on methods developed for Syria and Iraq during the period of ISIS terrorism. Seitel, Peter, Senior Folklorist Emeritus. Contact:DeutschJ@si.edu, Daz-Carrera, Cristina,Curator. Cookie Policy (2001) Youngstown State University; M.A. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Opportunities for scholars include studies of cultural representation and cultural sustainability, collaborative research in specific areas of staff or programmatic interest, and projects involving a wealth of archival materials documenting the cultural traditions of communities in the U.S. and around the world over the last 80 years. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. (1987) University of Maryland. He spearheaded the protracted negotiations to purchase the Folkways music collection from Moe Asch, including both recordings and business files. (1996) University of Kansas; Ph.D. (2001) University of Kansas. The lab has also used satellite monitoring to document looting. B.A. Dr. Richard Kurin Research specialties: City and regional planning, cultural sustainability, elevation of cultural practices to improve local economies. From our earliest musical encounters to the formation of complex social identities, the American musical landscape wouldnt be what it is today without the countless contributions of women changemakers, groundbreakers, and tradition-bearers. Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution that supports cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound recordings. Research specialties: cultural presentation and representation,cultural heritage policy, cultural disaster and response, material culture studies, museum controversies, indigenous knowledge systems, cultures of south Asia and the United States. Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage | Smithsonian Institution Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage The Center for Folklife and Cultural Heritage is home to the Ralph Rinzler Folklife Archives and Collections. At the outset of the Russian invasion, Ukrainian cultural officials and leaders responded quickly to protect facilities and collections from the shelling and bombing. Smithsonian Folkways Recordings Curator and Director Emeritus. 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